Twenty-two years after his death, Thomas Bernhards work continues to fascinate, irritate, and please readers. This book analyzes Bernhards writings in the light of post-war Austrian history, challenging the prevailing formalist and psychological reception of his work. It does so by revealing the close connection between individual texts and contemporaneous economic and political events, such as the relationship of the 1969 story Watten. Ein Nachlass to the incipient decline of the social-partnership state, or the connection of the 1970 novel Das Kalkwerk to the shifting balance of power between bourgeoisie and proletariat. Furthermore, the book argues that much of Bernhards engagement in public life was an attack on the «pseudo-socialism» of the Austrian socialist party and especially of Bruno Kreisky. Bernhards critique is effected through what the author terms a «comic materialism» - an unrelenting focus on the material aspects of life - evident in his protagonists ludicrously obsessive fixation on the objects of everyday life and in his comic critique of Viennese society.

Contents: The «Politische Morgenandacht» in its historical context – The return of class conflict in – Alienated labour and the abolition of class conflict – The displaced boss-worker relationship – The Social(ist) construction of art in – Austrian literature and the Nazi-Zeit. Inhaltsverzeichnis