This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history.A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British artCombines original research with a survey of existing scholarship and the state of the fieldTouches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical studyPresents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British arts relationship to Modernity, nationhood and nationality, and the institutions of the British art world

Dana Arnold is Professor of Architectural History and Theory at Middlesex University, UK. She has published several books on British architecture and visual culture and is author of the best selling Art History: A Very Short Introduction (2004). She is series editor ofNew Interventions in Art History,Wiley-Blackwell Companions to Art History, andBlackwell Anthologies in Art History.

David Peters Corbett is Professor of History of Art at the University of East Anglia. He has published a number of books, and has received prizes from the Historians of British Art, College Art Association USA, and aGuardian book of the year award. He is the editor of the journalArt History.

List of Illustrations viii

Acknowledgements xiii

Notes on Contributors xiv

Part 1 Editors Introduction 1

Part 2 General 11

1 The Englishness of English Art Theory 13Mark A. Cheetham

2 Modernity and the British 38Andrew Ballantyne

3 English Art and Principled Aesthetics 60Janet Wolff

Part 3 Institutions 77

4 Those Wilder Sorts of Painting: the Painted Interior in the Age of Antonio Verrio 79Richard Johns

5 Nineteenth-Century Art Institutions and Academies 105Colin Trodd

6 Crossing the Boundary: British Art across Victorianism and Modernism 131David Peters Corbett

7 British Pop Art and the High/Low Divide 156Simon Faulkner

8 When Attitudes Became Formless: Art and Antagonism in the 1960s 180Jo Applin

Part 4 Nationhood 199

9 Art and Nation in Eighteenth-Century Britain 201Cynthia Roman

10 International Exhibitions: Linking Culture, Commerce, and Nation 220Julie F. Codell

11 Itinerant Surrealism: British Surrealism either side of the Second World War 241Ben Highmore

12 55° North 3° West: a Panorama from Scotland 265Tom Normand

13 Retrieving, Remapping, and Rewriting Histories of British Art: Lubaina Humids Revenge 289Dorothy Rowe

Part 5 Landscape 315

14 Defining, Shaping, and Picturing Landscape in the Nineteenth Century 317Anne Helmreich

15 Theories of the Picturesque 351Michael Charlesworth

16 Landscape into Art: Painting and Place-Making in England, c.17601830 373Tom Williamson

17 Landscape Painting, c.17701840 397Sam Smiles

18 Landscape and National Identity: the Phoenix Park Dublin 422Dana Arnold

Part 6 Men and Women 449

19 The Elizabethan Miniature 451Dympna Callaghan

20 The Crown and Glory of a Woman: Female Chastity in Eighteenth-Century British Art 473Kate Retford

21 Serial Portraiture and the Death of Man in Late-Eighteenth-Century Britain 502Whitney Davis

22 Virtue, Vice, Gossip, and Sex: Narratives of Gender in Victorian and Edwardian Painting 532Pamela M. Fletcher

Index 552