I-IV -- Preface -- Introduction -- I Color Vision in Art and Science -- 1. Aging through the Eyes of Monet -- II Physiology and Neuroethology -- 2. Physiological and Psychophysical Simulations of Color Vision in Humans and Animals -- 3. Receptors, Channels and Color in Primate Retina -- 4. Chromatic Processing in the Lateral Geniculate Nucleus of the Common Marmoset (Callithrix jacchus) -- 5. Molecular Genetics and the Biological Basis of Color Vision -- 6. Source Analysis of Color-Evoked Potentials in a Realistic Head Model Confirmed by Functional MRI -- 7. Wavelength Information Processing versus Color Perception: Evidence from Blindsight and Color-Blind Sight -- 8. Color Vision in Lower Vertebrates -- 9. Color Vision: Ecology and Evolution in Making the Best of the Photic Environment -- III Psychology and Philosophy -- 10. The Perception of Blackness: An Historical and Contemporary Review -- 11. Basic Color Terms and Basic Color Categories -- 12. Color Perception: From Grassmann Codes to a Dual Code for Object and Illumination Colors -- 13. Color Contrast Gain Control -- 14. Binocular Brightness Combination: A Mechanism for Combining Two Sources of Rather Similar Information -- 15. Inferences about Infant Color Vision -- IV Color Metrics and Application -- 16. Dichromacy - The Simplest Type of Color Vision -- 17. Current CIE Work to Achieve Physiologically-Correct Color Metrics -- 18. Use of Computer Graphics in PostScript for Color Didactics -- List of Contributors -- Index