Walter Jacob was a painter whose oeuvre and life reflected the discontinuities of the twentieth century in condensed form. Contemplative natural scenes and the self-portraits were constants to which he hewed throughout his career; in stylistic terms, however, his oeuvre could hardly be more contradictory. Working first in the Impressionist, then in the Expressionist style, he eventually forged a form of expression tending toward abstraction, although he rejected modernist painting throughout his life. The Nazis considered his early work degenerate, which led hima committed National Socialist and active member of the SAto adapt not just his ideological convictions, but also his aesthetics to the new era: starting in the mid-1930s, he produced naturalistic depictions, sometimes suggestive of the New Objectivity, of popular motifs like landscapes, animals, soldiers, and more. Tellingly, though, the backs of some of his canvases are taken up by works that suggest the pleasure he took in experimenting with color and form. The same tension is palpable in the abstract landscapes of his late oeuvre. This catalog gathers works to retrace Jacobs checkered career, complemented by (art) historical essays that embed his output in its context.