Following Cry Sadness into the Coming Rain (Steidl, 2017), which documents the seared landscapes of the Namib Desert and was shortlisted for the Deutscher Fotobuchpreis 18-19, Margaret Courtney-Clarke now turns her lens to the bushmen of the Kalahari Desert. The inspiration for When Tears Dont Matter comes, in part, from her grandfathers photographs of almost a century earlier during his mandate as Secretary for South West Africa (now Namibia), some of which are reproduced in this book. 10,000 kilometers of formidable terrain takes Courtney-Clarke across remote bushveld, sand and salt pans to drought-stricken conservancies, tenuous farming communities that function as holding tanks for inconvenient indigenes, cultural villages and peri-urban squatments, as far east as she could travel through the Namibian Kalahari Desert. Largely invisible to the outside world, the bushmen today are dispossessed of their land: a shadow people sidelined by officialdom, economic inequity and outdated mythologies which present them as living in an uncontaminated state. In this complex country where notions of truth and objectivity (and whiteness) are constantly explored, the battle against disenfranchisement is largely unsuccessful. Courtney-Clarkes photographs lie at the crossroads between documentary and activism, and their basis is an unfailing empathy with her subjectsin her words: What is crucial in this work is to give place to a voice in search of a listener.

Margaret Courtney-Clarke was born in Namibia in 1949. After studying art and photography in South Africa, she spent the next four decades working as a photographer in Italy, the USA and across Africa before returning to Namibia in 2009. Courtney-Clarke's work demonstrates her particular dedication to rural cultures threatened by modernization and consumerism. Her publications include the acclaimed trilogy of Ndebele (1986), African Canvas (1990) and Imazighen (1996), as well as several collaborations with Maya Angelou. Steidl published Courtney-Clarke's Cry Sadness into the Coming Rain in 2017.