Beschreibung
InhaltsangabeTABLE OF CONTENTS INTRODUCTION: Why Arnheim? Why Gestalt? CHAPTER 1: Arnheim and Different Approaches to the Psychology of Art CHAPTER 2: Expression, Symbolism and Visual Thinking CHAPTER 3: The Senses, Perceptual Objects and their Dynamics CHAPTER 4: The Notorious Gestalt Brain Model CHAPTER 5: The Dynamics of Pictorial, Sculptural and Architectural Form CHAPTER 6: The Dynamics of Pantomimic Form CHAPTER 7: The Dynamics of Musical Form CHAPTER 8: The Dynamics of Poetic Form CHAPTER 9: Art in Comparative Perspective: Children, Adults, Cultures CHAPTER 10: The Dynamics of Microgenetic Artistic Development CHAPTER 11: Individual Artistic Development CHAPTER 12: The Dynamics of Differential and Psychopathological Artistic Form CHAPTER 13: The Dynamics of Cultural-Perceptual Form CHAPTER 14: Objective Percepts, Objective Values Appendix: The Life of a Psychologist of Art
Autorenportrait
InhaltsangabeTABLE OF CONTENTS INTRODUCTION: Why Arnheim? Why Gestalt? CHAPTER 1: Arnheim and Different Approaches to the Psychology of Art CHAPTER 2: Expression, Symbolism and Visual Thinking CHAPTER 3: The Senses, Perceptual Objects and their Dynamics CHAPTER 4: The Notorious Gestalt Brain Model CHAPTER 5: The Dynamics of Pictorial, Sculptural and Architectural Form CHAPTER 6: The Dynamics of Pantomimic Form CHAPTER 7: The Dynamics of Musical Form CHAPTER 8: The Dynamics of Poetic Form CHAPTER 9: Art in Comparative Perspective: Children, Adults, Cultures CHAPTER 10: The Dynamics of Microgenetic Artistic Development CHAPTER 11: Individual Artistic Development CHAPTER 12: The Dynamics of Differential and Psychopathological Artistic Form CHAPTER 13: The Dynamics of Cultural-Perceptual Form CHAPTER 14: Objective Percepts, Objective Values Appendix: The Life of a Psychologist of Art
