Beschreibung
The study analyzes differentiated concepts of truth in Dutch prints of the 16th and 17th centuries. Against the backdrop of religious and political crises of the time, it elaborates on how copperplate engravings and etchings not only representveritas but, by problematizing their own medial status, reflect on visual forms of evidence generation and arts specific capacity for truth.
Autorenportrait
Mariam Hammami, Eberhard Karls Universität Tübingen.
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