Contents: Toni Wein: «By a Nose» or «By a Hair»: Bearding the Jew on the Georgian Stage – Michael Bradshaw: The Jew on Stage and on the Page: Intertextual Exotic – Arthur W. Bloom: Edwin Forrest: The Exotic American Body on the Nineteenth-Century English Stage – Tiziana Morosetti: Constructing the Zulus: The «African» Body and Its Narratives – Marianne Schultz: «An Interest Must Be Strong Now-a days to Raise Much Enthusiasm in an Audience, but It May Be, at the Same Time, of an Unpleasant Nature»: M?ori, New Zealand and Empire on Stage 1862-1864 – Peter Yeandle: Performing the Other on the Popular London Stage: Exotic People and Places in Victorian Pantomime – Sara Malton: Impressment, Exoticism and Enslavement: Revisiting the Theatre of War through Thomas Hardy’s (1880) – Zara Barlas: Transcultural Operatics: India on the British Stage in – Serena Guarracino: Singing the Exotic Body across the Atlantic: From to the and Beyond – Sophie Duncan: A Progressive : Modern Blackness in Chakrabarti’s (2012).