Armstrong suggests that James's perspective is essentially phenomenological--that his understanding of the process of knowing, the art of fiction, and experience as a whole coincides in important ways with the ideas of the leading phenomenologists. He examines the connections between phenomenology's theory of consciousness and existentialism's analyses of the lived world in relation to James's fascination with consciousness and what is commonly called his Originally published in 1983.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.