This book is devoted to one of the worlds greatest late twentieth-century symphonists, Chinese composer Zhu Jianer. Each of his 10 symphonies is discussed in detail and can be grouped into such concepts as the Cultural Revolution (nos. 1-2), an emphasis on human topics (nos. 3-4-5), and his continuous expansion of traditional symphonic boundaries (nos. 6-7-8-9-10). Zhus symphonies can be relevant to all peoples and all cultures due to his concern for heaven, earth, and humankind. This in-depth discussion of Chinese and Western elements in Zhus symphonies includes such topics as his free use of twelve-tone rows, his exploration of sound possibilities, his diverse and fascinating approaches to musical form, the concept of the lonely individual struggling within a decadent society, and his belief that humans must be ethical and responsible to ensure future hope for humankind. Courses in symphonic literature, Asian composers, or intercultural composers would benefit significantly from this book.

John O. Robison holds his doctoral degree in musicology from Stanford University. He has been a musicology professor at University of South Florida since 1977. His previous publications include books on Johann Klemm's fugues, Korean women composers, Chinese composer Wang Xilin, and Indian composer John Mayer.