What makes a world author? How did Homer become a «cosmopolitan» author? How does a Mayan creation narrative challenge our Western logocentric ideas of foundational texts? What might world literature look like to a fourth-century Roman reader? How do past and more recent translations of Dantes Commedia help us to rethink the changing definitions of world literature? How did the Alexander romance adapt to an Islamic context? How did Tassos epic adapt to a later cultural context dominated by the «Turkish Fear»? What shaped the Wests first impression of The Tale of Genji? How does the Ovidian myth of Arachne migrate from Japan to the Caribbean? What are the foundational metaphors at the root of Goethes weltliteratur paradigm? What happens when cultures import canonical texts for lack of their own? By what process does an eccentric writer reconstruct a new foundational text from heterogeneous fragments of other cultures? How did literary criticism contribute to the canonization of the Thousand and One Nights in Western literature? What is left of the primacy of the national language when writers are published simultaneously in various translations? How do modern misreadings shape our understanding of national epics and ensure their survival? World literature, first intuited in Goethes foundational idea of weltliteratur as literature that seeks to transcend national boundaries, is viewed here in its essential mobility and migratory capacity, which relies on the centrality of the reading act. This volume focuses on foundational texts as they are read across cultures, languages and historical contexts. Its goal is to reflect on canonical texts - from Homers Odyssey to Murakamis Genji, from Cervantes to Mayan hieroglyphs, from Dante to Coetzee, from Goethe to Lezama Lima, from the Thousand and One Nights to Jorge Luis Borges - in a global perspective: how they are translated, appropriated, transformed, how they travel across different cultures and languages, their foundational status evolving accordingly in a post-European world. Foundational Texts of World Literature includes contributions by Gerardo Aldana, Sandra Bermann, Piero Boitani, Michael Emmerich, Azadeh Yamini Hamedani, Stefan Helgesson, Paulo Lemos Horta, Juan Pablo Lupi, Peter Madsen, Ulrich Marzolph, Suzanne Saïd, Evanghelia Stead, Mads Rosendahl Thomsen, and Richard Van Leeuwen.

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Contents: Dominique Jullien: Introduction – Piero Boitani: World Literature Two Thousand Years Ago: Reflections of a Senator in 306 A.D. – Suzanne Saïd: Homer, or How to Create a World Writer – Gerardo Aldana: On Deciphering Ancient Mesoamerican Foundational Texts: The Challenges of a Non-Logos-Based Creation Narrative – Ulrich Marzolph: The Creative Reception of the in Iran – Sandra Bermann: In the Light of Translation: on Dante and World Literature – Richard Van Leeuwen: The Canonization of the in World Literature: The Role of Literary Criticism – Peter Madsen: Epic Encounters - from Torquato Tasso’s to Miklós Zrinyi’s – Paulo Lemos Horta: as World Literature: The Romantic Hypothesis of Eastern Influence on Camões – Azadeh Yamini Hamedani: Foundational Metaphors: Goethe’s World Literature; Posnett’s Comparative Literature – Evanghelia Stead: Worldwide Tales and the Latin Tradition: The Myth of Arachne in Jan Havlasa’s (1919) and Grace Hallworth’s (1990) – Michael Emmerich: A New Planet: as World Literature – Stefan Helgesson: «… A casement opening on the spectacle of the world …»: Post-European Texts in Translation – Mads Rosendahl Thomsen: Subversive Foundations: Renaissance Classics and the Imported Canon – Juan Pablo Lupi: (Mis)Reading as Engagement: Some Thoughts on World Literature and José Lezama Lima. Inhaltsverzeichnis