The Postcolonial Low Countries is the first book to bring together critical and comparative approaches to the emergent field of neerlandophone postcolonial studies. The collection of essays ranges across the cultures and literatures of the Netherlands and Belgium and establishes an encounter between postcolonial theoretical discourses from both within and without the region. Each one of the contributions puts under pressure the definitive concepts of postcolonial studies in its more conventional anglophone or francophone formation, as well as perceptions of the Low Countries, Belgium and the Netherlands, as lying outside or to the side of the postcolonial domain.In the Low Countries, local and regional issues concerning multiculturalism and colonial belatedness have raised important questions about the possible grounds on which postcolonial critical concepts might be not only translated but also generated afresh, to suit these paradoxically new contexts. AsThe Postcolonial Low Countries incisively demonstrates, the Low Countries demand a careful rearticulation of such postcolonial readymades as hybridity, accommodation and creolization.Gathering together contributions from both internationally renowned scholars and newly established researchers in the field,The Postcolonial Low Countries maps previously underexplored national and transnational literary critical trajectories. The book challenges in boundary shifting ways current readings of the so-described multicultural and postcolonial Netherlands and Belgium.

Professor of World Literature in English at the University of Oxford, bilingual in Dutch and English,Elleke Boehmer is interested in the postcolonial debates that draw together Britain and the Netherlands. She is the author of four acclaimed novels,Screens again the Sky (short-listed David Hyam Prize, 1990),An Immaculate Figure (1993),Bloodlines (short-listed SANLAM award, 2000), andNile Baby (2008), as well as the short-story collectionSharmilla and Other Portraits (2010). Her other books includeColonial and Postcolonial Literature (1995, 2005),Empire, the National and the Postcolonial, 1890-1920(2002),Stories of Women(2005), and the biographyNelson Mandela(2008). She edited Robert Baden-PowellsScouting for Boys (2004), and the anthologyEmpire Writing (1998), and co-editedJM Coetzee in Writing and Theory (2009),Terror and the Postcolonial (2009), andThe Indian Postcolonial (2010). She is currently working on a memoir fiction part set in the Netherlands.Sarah De Mul received her PhD at the University of Amsterdam and previously held a NWO Rubicon fellowship at the University of Leiden. She is currently FWO-Postdoctoral Fellow at K. U. Leuven University and Lecturer at the Open University the Netherlands. De Mul wrote a study of colonialism and memory in contemporary womens travel writing (Colonial Memory, Amsterdam University Press, 2011) and a Dutch-languagemonograph on multiculturalism in FlandersEen leeuw in een kooi. (Meulenhoff-Manteau, 2009, together with K. Arnhaut, S. Bracke, B. Ceuppens, N. Fadil; M. Kanmaz). She is co-editor ofCommitment and Complicity in Cultural Theory and Practice (Palgrave Macmillan, 2009, with B. O. Firat and S. van Wichelen) andLiterature, Language, and Multiculturalism in Scandinavia and the Low Countries (Amsterdam/New York: Rodopi, 2012, with W. Behschnitt and L. Minnaard). Her publications and research interests are situated in the field of comparative postcolonial studies with a particular focus on literatures in Dutch and English. Her current projects explore postcolonialism and transnationalism in the Low Countries, migrant writing in Flanders and European (colonial) writing about Africa/the Congo during the fin de siècle.

Chapter 1. Introduction: Postcolonialism and the Low Countries, Elleke Boehmer and Sarah De MulPart 1: Towards a Neerlandophone Postcolonial StudiesChapter 2. Postcolonial Studies in the context of the diasporic Netherlands, Elleke Boehmer and Frances GoudaChapter 3. Polderpoko: why it cannot exist, Isabel HovingChapter 4. The Ends of Postcolonialism, Theo DhaenChapter 5. Is the headscarf oppressive or emancipatory? Field notes on the gendrification of the multicultural debate, Sarah Bracke and Nadia FadilPart 2: Postcolonial MemoryChapter 6. (Un)happy Endings: Nostalgia in post-imperial and postmemory Dutch films, Pamela PattynamaChapter 7. Transnational Contact-Narratives: Dutch Post-Coloniality from a Turkish-German Viewpoint, Liesbeth MinnaardChapter 8. Representing post-apartheid South Africa: mothers, motherlands and mother tongues in the work of selected Afrikaans women writers, Louise ViljoenChapter 9. The Holocaust as a Paradigm for the Congo Atrocities: Adam Hochschild'sKing Leopolds Ghost,Sarah De MulPart 3: Literature and MulticulturalismChapter 10. Dutch Homonationalism and Intersectionality, Murat AydemirChapter 11. Becoming UnDutch: "Wil je dat? Kun je dat?", Mireille RosselloChapter 12. Unlike(ly) Home(s). Self-Orientalisation and Irony in Moroccan Diasporic Literature, Ieme van der PoelChapter 13. Games of Deception in Hafid Bouazzas Literary No Mans Land, Henriette Louwerse