In 'Old Scores and New Readings: Discussions on Music& Certain Musicians,' John F. Runciman embarks on a cerebral journey through the legacies of the most revered musical geniuses. Merging a historian's precision with the sensibilities of a seasoned music critic, Runciman offers an incisive exploration of canonical works alongside intimate vignettes from the lives of the great maestros. The book distinguishes itself with scholarly examinations of operatic milestones like 'Lohengrin' and 'Tristan and Isolda,' providing a nuanced commentary that situates these works within their broader cultural and artistic tapestry. The prose, rich with erudite references and infused with a deeply engaging narrative style, beckons readers into the grandeur and intricacies of classical music lore. John F. Runciman, with his profound grasp of musical aesthetics and historical context, writes from a reservoir of extensive knowledge and palpable passion. This depth likely stems from his own life immersed in cultural critique, with a special penchant for symphonic and operatic forms. His experiences as a critic, coupled with an ardor for the subject matter, breathe authenticity into each essay. The rich tapestry of stories and analyses within these pages are a testament to the breadth of Runciman's understanding, and his unique ability to celebrate music's timeless greats while offering fresh, insightful perspectives. 'Old Scores and New Readings' is a must-read for both the scholarly inclined and the music aficionado. Its articulate dissection of famed scores, alongside personal stories of the composers who crafted them, provides readers with an intellectually and emotionally rewarding experience. Runciman's work acts as both a comprehensive guide to the pantheon of classical music and an invitation to a deeper appreciation of the art form a celebrated addition to any music lover's collection and an invaluable resource for students and scholars of music history and criticism.

John F. Runciman (18661916) was an esteemed British music critic and essayist known for his insightful analyses and thought-provoking criticisms. Runciman's literary prowess is well encapsulated in his seminal work 'Old Scores and New Readings: Discussions on Music& Certain Musicians' (1901), where he demonstrates his deep understanding of musical theory and history. While Runciman's career was largely centered on music critique, his written legacy extends beyond just critical essays. His writings often reflect a keen sensitivity to the aesthetic and intellectual dimensions of music, traits that underscore his contributions to early 20th-century music literature. Runciman's prose is characterized by clarity and liveliness, lending his insights a timeless quality that continues to inform and delight aficionados of classical music. He had a particular penchant for Wagner and faced both acclaim and criticism for his strong opinions, which he articulated with a balance of intellect and emotion. Through his thorough discussions of composers and their compositions, Runciman left behind a rich tapestry of musical commentary that continues to resonate within scholarly circles.